THE GOLDEN LION EP – OUT NOW
A COLISEUM COMPLEX MUSEUM – LP OUT NOW
Until In Excess, Imperceptible UFO (2013)
This album had its humble beginnings in mid-2011 and was completed over the course of a year. Ever mindful and attentive to the most subtle and nuanced details, founding band members Jace Lasek and Olga Goreas produced, recorded and mixed at the stalwart Breakglass Studios in Montreal with long time band mates Kevin Laing and Richard White. Eventually mastered by the renowned Greg Calbi at Sterling Sound, this fourth album by The Besnard Lakes’ features heavyweight additions by Moonface’s Spencer Krug and Mike Bigelow, The Barr Brothers’ Sarah Page, the always-enchanting Monica Guenter and the return of Fifth String Liberation Singers’ Choir. The story of the album unfolds its introspection on the endurance of the human spirit during prophetic times as told by a spy or two, maybe more. Each of the eight tracks on the album takes off, coasts, and lands smoothly, with a jubilant slowburn of its own momentum for the benefit of the larger picture. The Besnard Lakes create a distinct and dreamy headspace, an enigmatic and somehow familiar placelessness. It happens in such a way that both the close and casual listener find themselves immersed in the generous sonic vision, one moment as timeless as the next.
Produced by The Besnard Lakes | Released on Jagjaguwar/Outside Music | Artwork by Corri-Lynn Tetz
You Lived in the City EP (2011)
Welcome to Pine Point is a multimedia documentary that combines video footage, artwork, photographs and music on a web interface. Pine Point is a Canadian mining town that existed for one generation and was closed and wiped off the map after the mine closed. The documentary serves as an album to the town’s memory. Co-director Michael Simons, a longtime friend of The Besnard Lakes’ Jace Lasek, told the band about the project and asked if the band would be interested in providing some music for it. He asked if the band would cover “We’re Here for a Good Time (Not a Long Time)” by Canadian rock band Trooper. The songs The Besnard Lakes contributed to Welcome to Pine Point will be available via 12″ EP available at their upcoming tour dates and by mail order at SC Distribution. “The Corner” is one of two songs written for the end credits of the film “Memories Corner”. This is the song that wasn’t chosen. Also a Besnard Lakes rarity, this song is available for the first and only time on You Lived in the City.
The Besnard Lakes are the Roaring Night (2010)
There is a war now. The message has been sent through short wave in code. The Besnard Lakes twisting chronicle, or fever dream, of spies, double agents, novelists and aspiring rock gods has turned violent. Loyalty, dishonor, love, hatred all seen through the eyes of two spies, fighting a war that may not be real. One follows the other as they receive coded messages and spread destruction. The city is burning, and it’s to the benefit of music obsessives everywhere. Once again, the husband-and-wife duo of Olga Goreas and Jace Lasek has crafted a majestic, sprawling vision of guitar bombast and captivating pop experiments.
Albatross (EP) (2010)
A standout track and the first single from Montreal’s The Besnard Lakes’ upcoming longplayer, The Besnard Lakes Are The Roaring Night, “Albatross” has all the swagger of a Stevie Nicks-led Fleetwood Mac classic or Roy Orbison reimagined as a rollicking, snakeskin-booted Mazzy Star — dousing it all in gas and throwing the match as we hear its tale of Vancouver’s skid row and its inhabitants. On the flip we find “Four Long Lines,” a non-album cut that not so much exists within the dark grooves of the vinyl as it does float just above the stereo, embodying the extraterrestrial encounter the song cryptically details. “Saw an alien/On the street/At dawn…Saw Aliens/In the sky/Called out to them, ” breathes Jace Lasek’s otherworldly falsetto, which stays just beyond definition skating on top of what could be a basement-tape lost cut from Eno’s Another Green World.
Casino Nanaimo (EP) (2007)
On the heels of “The Besnard Lakes Are The Dark Horse”, The Besnard Lakes continue what they’ve started, re-stoking the flames and releasing two additional tracks, as embodied on a 12-inch vinyl single. Side A is “Casino Nanaimo”, a place where repetitive sound and lights engulf addicted gamblers all vying for space on the eternal wheel of fortune. And then there is side B, “Devastation (alternate version)”, the unedited and original straight-to-two-track nine-minute version, recorded live-off-the-floor at Breakglass Studios.
Produced by The Besnard Lakes | Released on Jagjaguwar/Outside Music | Artwork by Todd Stewart
The Besnard Lakes Are The Dark Horse (2007)
The Besnard Lakes Are The Dark Horse is a luxurious foray into sound and music. The Besnard Lakes have shown that they are masters of finely-honed experimental pop songs that invoke the eerie Lynchian setting as aided and abetted by the music of Julee Cruise. On The Besnard Lakes Are The Dark Horse, the band throws into the mix a mad dash of Fleetwood Mac proportioned swagger and ambition. Not so incidentally, the Besnard Lakes have created a masterpiece that will resonate within all quarters, amongst critics, casual and not-so-casual rock listeners, garden variety pop fans and headphone junkies.
Volume 1 (2003)